Clair Obscur: Expedition 33 Review - Truly amazing

I went into Clair Obscur: Expedition 33 expecting another decent indie JRPG. What I got was a game that's now sitting comfortably in my all-time favorites list. This is turn-based combat done right, world-building that actually builds a world, and proof that the JRPG genre still has plenty of life left in it.

the Gang is up !

What Makes This Special

The combat system is the real star here. Forget everything you know about boring turn-based battles where you select "Attack" and watch numbers fly around. Expedition 33 takes the timed-hit mechanics from Paper Mario and Sea of Stars, mixes in Undertale's dodge system, and cranks the intensity up to 11.

combat push the turn base to it's new limits

You're not just picking moves from a menu - you're actively parrying attacks, timing dodges, and learning enemy patterns like you're in a fighting game. Every battle feels engaging because you're constantly doing something. I actually looked forward to random encounters, which is something I never thought I'd say about a JRPG.

Phenomenal environments , everything felt like a painting coming alive!

The world design is absolutely stunning. Each area feels like a living painting, with creature designs that range from whimsical to genuinely unsettling. The art direction is top-tier stuff that makes exploration feel rewarding just for the visual feast alone.

A Soundtrack That Belongs in a Fairytale

But let's talk about the music - because this soundtrack is something truly magical. We're talking pure fairytale vibes that transport you to another world completely. The orchestral arrangements feel like they were pulled straight from a Studio Ghibli film, with sweeping melodies that make even mundane moments feel epic and important.

I did not expect the soundtrack to hit that hard!

The battle themes are absolute perfection - they have this whimsical, almost theatrical quality that makes every encounter feel like a dance between heroes and monsters rather than a brutal fight. There's this underlying sense of wonder and magic that permeates every track, like you're living inside a storybook that's being read by the most talented narrator in the world.

The exploration music captures that perfect fairytale atmosphere where you feel like you're wandering through enchanted forests and mystical kingdoms. It's the kind of soundtrack that makes you want to slow down and just exist in this world for a while. I genuinely found myself stopping to listen, just letting the music wash over me.

And when emotional story beats hit, the music elevates them to a completely different level. The emotional themes have this bittersweet, nostalgic quality that feels like childhood memories of the best fantasy stories you've ever heard. It's music that makes you believe in magic again.

I'm still humming these melodies weeks later - they're the kind of tunes that stick with you long after you've turned off the console. This is easily one of the best video game soundtracks in years, and it deserves to be mentioned alongside the classics.

The Exploration Game

This game rewards curiosity in ways that made my completionist heart sing. Hidden areas, secret bosses, optional minigames - there's always something tucked away for players who like to poke around corners. The environmental storytelling is rich with details that flesh out the lore without dumping walls of text on you.

The pick-up-and-play nature is brilliant too. I took a week break and jumped right back in without feeling lost or confused. The core systems are intuitive enough that you don't need to relearn everything after a break.

I even like how the made the world map travel system!

Where It Stumbles

Let's be real - no game is perfect, and Expedition 33 has a few rough edges that keep it from absolute perfection.

The jump dodge timing feels slightly off sometimes. Whether it's input lag or just me being bad at timing (probably the latter), there were moments where I swore I hit the button but still took damage. Not game-breaking, but noticeable enough to be occasionally frustrating.

Quality of life could use some work too. No mini-map means you'll get turned around more than you'd like, and the lack of a quest log makes tracking side quests a mental exercise. The early game is pretty cutscene-heavy, which might test your patience if you just want to get into the action.

Some areas do feel a bit repetitive in enemy types and layouts, though the combat system does enough heavy lifting to keep things from feeling like a grind.

Game of the Year Material?

Here's the thing - I genuinely think Clair Obscur: Expedition 33 deserves to win Game of the Year. The innovation in combat alone sets it apart from everything else this year. But let's be honest, 2025 has been absolutely stacked with incredible games. We've had some truly amazing releases that make this one of the strongest years in gaming memory.

The competition is fierce, but Expedition 33 stands toe-to-toe with the biggest names. It's the kind of game that proves you don't need a massive budget to create something truly special - you just need vision, passion, and damn good execution.

The Verdict

Clair Obscur: Expedition 33 is a masterclass in what modern JRPGs can be when developers understand the genre's strengths. The reactive combat system alone makes this worth playing, but when you add in the gorgeous world design, absolutely magical soundtrack, and exploration that actually matters, you get something truly special.

The minor technical hiccups and missing quality-of-life features hold it back from perfection, but they're small blemishes on an otherwise outstanding experience. This is the kind of game that reminds you why you fell in love with JRPGs in the first place.

In a year packed with incredible games, Expedition 33 stands out as something genuinely innovative. It's my pick for Game of the Year, and I'm confident it'll be remembered as one of the defining JRPGs of this generation.

Worth Your Time?

Absolutely. If you have any love for JRPGs, this belongs in your library. Just be prepared to lose some sleep - you'll want to see what's around the next corner.